Wednesday, 11 May 2022

The Affordable Art Fair, Sydney


I have been a little quiet here lately as I am working solidly on a number of new paintings for the first ever Sydney Affordable Art Fair, where I am delighted to exhibiting with Gallery 11:11

We will be exhibiting at the Royal Randwick Racecourse from the 2-5th June, along with over 30 galleries from across Australia. Gallery 11:11 will also be showcasing two of my fellow Sydney artists Kristine Ballard and Rebecca Anne Brady

On behalf of Gallery 11:11, I would like to invite you to the Royal Randwick Racecourse from 2 - 5 June, including the Opening Night. Please click here to register. Each registration is for two people, but passes are limited.

To redeem your digital tickets, simply follow these step-by-step instructions:

  • Click the above link to 'Register'

  • The promo code will have been automatically applied

  • Select their preferred date

  • Select the number of tickets, including children under 16, and click on ‘Register’

  • Fill in their contact details and click on ‘Register’

  • You will then be taken to the confirmation page and the e-ticket will be emailed to you

Should you have any difficulties with this process, please contact our ticket provider ‘Eventbrite’ using this link: https://www.eventbrite.com/support

Affordable Art Fair is a global family of fairs in ten cities around the world from Hamburg to Hong Kong, New York to London and now Sydney. The fair helps people discover the joy or collecting art and there will be thousands of original artworks priced between $100 and $10,000. 

If you would like more information about the programme please to check out their website 


My paintings for this exhibition are centred around a different palette from the bright florals I exhibited last December in my solo show Drawn to Nature. This body of work falls into the theme Grounded. My palette is far more earthy as I look at rocks, pebbles, tree roots, fallen leaves and dried plants. Here are some sections of a few paintings I've been working on.



This is part of a large painting inspired by rust. Working title is Rust Transcription. Largely watercolour on huge sheets of 640gsm watercolour paper, it also incorporates ink, watercolour pencils, gouache and pastel. The original image of rust on a pole becomes more like a volcanic landscape.












This detail from a full sheet watercolour painting River Stones, Daintree explores a favourite subject - stones and pebbles - that I've painted, drawn or etched since my teenage years. I love trying to capture the exact colours, cracks, crevices and textures of these many and varied stones. I sat on these river stones while sketching the rainforest then a visited the area a few years ago.







This detail is from the painting Grounded. It is a full sheet watercolour painting, and a largely tonal study of one of my favourite trees - a Morton Bay Fig in the Sydney Botanic Gardens. I've painted, etched and sketched this tree, and others like it, many times too. This shows the tree from a different direction. The full painting shows the embrace of the root system in the ground.











For those in Sydney - I hope to see you there. Now - back to my painting table :-)

1 comment:

  1. I love the simple but complicated beauty of the tree and also the stones. Generally speaking, I'm usually drawn to color. But these two pieces are calming and evoke reflection and meditation.

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