Wednesday, 5 April 2017

Daniel Smith watercolour - full range - updated

I've been using Daniel Smith watercolours since 1995 - just two years after they were first produced. They started with just 18 colours, including quinacridone gold, sap green, new gamboge, yellow ochre and the raw and burnt siennas that I still love today. Over the years I managed to try pretty much every colour they have ever produced, and in 2015 and again in 2017 I went over and visited the factory, taught a number of workshops and met up with many of the wonderful Daniel Smith people. I've met up with the CEO and the Vice President frequently over the years, and have worked with the company exploring ideas and colours.
I continue to test out watercolours from all over the world and there are some fabulous brands to be found. But I still use Daniel Smith myself because they work so well for me in the way I like to paint. I am proud to be one of their international team of Brand Ambassadors. Please note that this isn't a paid position, but a recognition of our loyalty to this brand. 

The original range expanded to a rather massive 252 colours, including the fascinating Primateks and also the 48 luminescent, pearlescent and interference colours that I won't include here. The following charts are arranged based on the two colour charts I have - the newest and a previous one. Colour reproduction is not bad, but not perfect.

Of course you don't need all these colours and nor have I bought them all. I've bought many of them, collected others as free samples and been sent a few by fellow artists and the Daniel Smith the company - including the 8 new colours added in 2017 and another 8 new colours in 2019. But many have been tested only from the wonderful dot cards that Daniel Smith were the first to produce, such as the Mayan Yellow and many of the other Mayan and earth colours.

I can talk about colours for ever, especially these ones. However I will just include a few comments here about the colours I particularly like or use or recommend a lot. The choices are vast :-)

I love Buff Titanium - think of it as an unbleached white. Lovely granulation and perfect for beaches and sandstone, snow gums and marble. There are quite a few great lemon and mid yellows to enjoy.

Daniel Smith Watercolours - Buff Titanium, Nickel Titanate Yellow, Bismuth Vandate Yellow, hansa Yellow Light,
Azo Yellow, Quinaphthalone Yellow.

Daniel Smith moved away from cadmiums many years ago but I've included some just for comparison. Cadmium colours are very lightfast and fun to use, but I generally prefer more transparent watercolours for the yellows and reds. I particularly like Hansa Yellow Medium - a lovely mid yellow.

Daniel Smith Watercolours - Cadmium Yellow Light (discontinued 2007-8), Cadmium Yellow Light Hue, Aureolin,
Cadmium Yellow Medium Hue, Hansa Yellow Medium, Mayan Yellow.

Indian Yellow has changed formulation but I haven't tried the new version. Nice pigments though. New Gamboge made with PY153 was a stunning colour.

Daniel Smith Watercolours - Lemon Yellow, Cadmium Yellow Deep (discontinued 2010),
Indian Yellow (discontinued), Indian Yellow (I haven't tried the new mix!), Naples Yellow,
New Gamboge (discontinued since PY153 is no longer available)

New Gamboge has also changed formula, since PY153 is not longer available. It's a shame as it's a gorgeous warm yellow pigment so grab any you happen to find if you like the original version. Aussie Red Gold is new this year (2017) and a lovely bright golden orange yellow. Mixes lovely greens with a range of blues. Hansa Yellow Deep is another excellent single pigment warm yellow option, that works very nicely as a pair with Hansa Yellow Light for those wanting a cool and a warm yellow.

Daniel Smith Watercolours - New Gamboge (the new hue), Hansa Yellow Deep, Isindoline Yellow,
Permanent Yellow Deep, Aussie Red Gold (new 2017), Pyrrol Orange.

I love orange, but don't tend to have it in my palette since it is easy to mix. Shown here is the old version of Transparent Pyrrol Orange, which is what I use personally as a warm red. It has changed to a gorgeous mid-orange that is the perfect neutralising opposite for Ultramarine. The new version isn't shown here.

Daniel Smith Watercolours - Permanent Orange, Cadmium Orange Hue, Perinone Orange, Cadmium Red Scarlet Hue,
 Cadmium Scarlet (discontinued 2010), Transparent Pyrrol Orange (old version).

My favourite of all these scarlets is Pyrrol Scarlet - bright and beautiful. Quinacridone Coral really is a coral colour though it doesn't quite look coral on my screen - called quinacridone red by many other brands that use the PR209 pigment.

Daniel Smith Watercolours - Organic Vermilion, Mayan Orange, Quinacridone Coral, Pyrrol Scarlet,
Perylene Scarlet, Anthraquinoid Scarlet.

While I don't choose to have a mid red in my palette, there are plenty to choose from. I like the Pyrrol Red best.

Daniel Smith Watercolours - Cadmium Red (discontinued 2010), Cadmium Red Medium Hue, Pyrrol Red,
Perylene Red, Permanent Red, Permanent Red Deep.

Quinacridone Red is very like Quinacridone Rose though slightly richer. I have only tried Mayan Red from a DS dot so this may not be a fair indication of its true character. While I don't use the fugitive Alizarin Crimson, I am glad we can still buy it to see what all the fuss is about. Rhodonite starts more of a rose when freshly painted but becomes more magenta with exposure to oxygen.

Daniel Smith Watercolours - Quinacridone Red, Anthraquinoid Red, Mayan Red, Alizarin Crimson,
Permanent Alizarin, Rhodonite Genuine.

I rather like Carmine as a great 'primary' red, though I tend to use Quinacridone Rose more often. The new Rose Madder Permanent is closer to the original Rose Madder pink, but it won't fade. I know many love Opera Rose, but it will fade.

Daniel Smith Watercolours - Carmine, Rose Madder Genuine (discontinued 2017), Rose Madder Permanent (new 2017),
Opera Pink, Potter's Pink, Quinacridone Pink.

Many of the Daniel Smith quinacridone colours are very similar. I particularly love Quinacridone Rose as a gorgeous rose pink but also to mix amazing purples. The new Quinacridone Lilac (called Quin Magenta in many other ranges) is also excellent for this purpose, and as a primary red. Pyrrol Crimson is a palette basic for me.

Daniel Smith Watercolours - Quinacridone Rose, Quinacridone Magenta, Quinacridone Lilac (new 2017),
Pyrrol Crimson, Quinacridone Fuchsia, Mayan Violet.

I tend to mix my own purples, but there are some lovely granulating pigments that can add texture to your paintings. PV49, PV14 are never powerful colours, but have interesting granulation.

Daniel Smith Watercolours - Bordeaux, Permanent Violet (old version - now a mix of PB29 + PR202),
Quinacridone Violet, Perylene Violet, Cobalt Violet, Cobalt Violet Deep.

...and nor is PV15. But mixing Ultramarine with PV19 creates fabulous strong and granulating purples.

Daniel Smith Watercolours - Ultramarine Red, Rose of Ultramarine, Imperial Purple, Quinacridone Purple,
Purpurite Genuine, Ultramarine Violet.

The photograph doesn't capture the beauty of the Amethyst, which, like many of the Primateks, has a touch of sparkle. It's a powerful but slightly neutralised deep purple. I love the crazy granulation of the three-pigment Moonglow - the rose floats, the viridian speckles and the ultramarine granulates - it is rather fun to play with. Shadow Violet is similar but cooler.

Daniel Smith Watercolours - Amethyst Genuine, Carbazole Violet, Wisteria (new 2017), Cobalt Blue Violet,
Moonglow, Shadow Violet.

There are so many gorgeous blue pigments! I love the richness of Indanthrone blue and the granulation of Sodalite. It can be used as a great shadow colour, or for fabulous stormy skies.

Daniel Smith Watercolours - Sugilite Genuine, Kyanite Genuine, Indigo, Mayan Dark Blue,
Indanthrone Blue, Sodalite Genuine.

Ultramarine is a palette staple for me, but I also love Cobalt Blue.

Daniel Smith Watercolours - Lavender (new 2017), Lapis Lazuli Genuine, Smalt Genuine, Ultramarine Blue,
French Ultramarine, Cobalt Blue.

Phthalo Blue Green and Red Shades behave in a similar manner - you can see there that the Red Shade is definitely warmer. I generally suggest the Green Shade if you want it to be your cool blue.

Daniel Smith Watercolours - Phthalo Blue Red Shade, Verditer Blue, Phthalo Blue Green Shade, Prussian Blue,
Mayan Blue Genuine, Cerulean Blue.

Cerulean Chromium is one of my favourites, mixed with ultramarine for skies. Great anywhere in the world :-) It is more powerful and slightly cooler than Cerulean seen above.

Daniel Smith Watercolours - Cerulean Blue Chromium, Azurite Genuine (discontinued 2017), Manganese Blue Hue,
Cobalt Teal Blue, Phthalo Turquoise, Ultramarine Turquoise.

Cobalt turquoise is wonderful mixed with a little yellow when you want to create the look of oxidised copper! It's also lovely for seascapes, as are all the cool blues. I love the granulation of Blue Apatite Genuine and Lunar Blue (so many lovely blues!)

Daniel Smith Watercolours - Sleeping Beauty Turquoise, Genuine, Cobalt Turquoise, Amazonite Genuine,
Blue Apatite Genuine, Lunar Blue, Fuchsite Genuine.

Phthalo Green Blue Shade is another of my basic colours. I doubt I've ever used it alone, but it's great for mixing. Viridian is very similar in colour but much less powerful and less staining and has lovely granulation.

Daniel Smith Watercolours - Cobalt Green Pale, Natural Kingman Turquoise Genuine, Phthalo Green Blue Shade,
Viridian, Malachite Genuine (discontinued 2017) Cascade Green.

Jadeite is a lovely alternative for those who don't want to use the often overpowering phthalo green. As a cool green, it mixes in a similar way, but with granulating and a bit more of a realistic look.

Daniel Smith Watercolours - Diopside Genuine, Jadeite Genuine, Cobalt Green, Spring Green, Permanent Green Light,
Phthalo Yellow Green

In 2015, PO49 was replaced in DS mixes with the hue made from PO48+PY150. The new version of Sap Green is shown below. I love Serpentine Genuine - not just because it also comes from Australia, but because it creates a grassy meadow in one wash :-)

Daniel Smith Watercolours - Permanent Green, Phthalo Green yellow shade, Hooker's Green (new formula 2015 not shown),
Sap Green (original formula - discontinued 2015), Serpentine Genuine, Chromium Green Oxide.

Green Apatite Genuine is a remarkable paint as it will create soft greens, grassy greens and deep olive greens depending how thickly is it applied - excellent in a limited or plein air palette. Perylene green is fabulous - another of my basic palette colours.

Daniel Smith Watercolours - Green Apatite Genuine, Terre Verte, Sap Green Deep, Perylene Green, Prussian Green,
Rare Green Earth

Sap Green, Undersea Green, Perylene Green and, for mixing, Phthalo Green work really well for me, but I love the amazing range of realistic greens available.

Daniel Smith Watercolours - Sap Green (new formula 2015), Undersea Green (new formula 2015),
Undersea Green (discontinued formula), Ziosite Genuine, Olive Green, Green Gold.

There are a lot of yellow earth options. I'm not quite sure what the difference is between some of them. I like to use Raw Sienna, Yellow Ochre and Goethite. Mont Amiata Natural Sienna is very pretty. I quite like Mars Yellow too :-) I haven't explored the new Raw Sienna Light much yet...

Daniel Smith Watercolours - Rich Green Gold, Nickel Azo Yellow, Bronzite Genuine, Verona Gold Ochre,
French Ochre, Raw Sienna Light (new 2017)

I love Raw Sienna for the glow of sunsets in the sky. It's also useful for skin tones. I tend to have Yellow Ochre, Raw Sienna, Quinacridone Gold and Goethite in my palette. Quinacridone Gold was one of the first Daniel Smith watercolours I bought back in 1995. I still love it. As this pigment is no longer available, the new hue has been produced (see below).

Daniel Smith Watercolours - Burnt Bronzite Genuine, Burgundy Yellow Ochre, Yellow Ochre, Mars Yellow,
Raw Sienna, Quinacridone Gold.

The Quinacridone Gold hue that is used in mix many of the DS colours now is very close to the genuine PO49. I love earthy colours. I especially love the unique Goethite for its amazing granulation.

Daniel Smith Watercolours - Quinacridone Gold (hue), Transparent Yellow Oxide, Mont Amiata Natural Sienna,
Hemetite Burnt Scarlet, Environmentally Friendly Yellow Iron Oxide, Goethite.

Lunar Earth is one of the most incredible granulating colours. Granulation is something Daniel Smith does so well :-)

Daniel Smith Watercolours - Quinacridone Gold Deep (original formula - now PO48+PY150 not shown),
Italian Deep Ochre, Lunar Earth, Burnt Yellow Ochre, Garnet Genuine

I love the earth colours. I tend to have a yellow earth, an orange earth and a red earth at least in my palette, and I love the most opaque of watercolours Indian Red as a red earth.

Daniel Smith Watercolours - burgundy Red Ochre, Indian Red, Venetian Red, Italian Burnt Sienna,
Quinacridone Burnt Orange, Quinacridone Sienna (original mix, now made with PO48+PY150 +PR209)

Minnesota Pipestone has a lovely subtle dusty pink.

Daniel Smith Watercolours - Pompeii Red, Red Fuchsite Genuine, Terre Ercolano, Minnesota Pipestone,
Italian Venetian Red, English Red Earth.

So many amazing colours...Quinacridone Burnt Scarlet is also known as brown madder.

Daniel Smith Watercolours - Quinacridone Burnt Scarlet, Perylene Maroon, Sedona Genuine, Deep Scarlet,
Napthalmide Maroon, Lunar Red Rock.

Piemontite is another favourite 'extra' colour. It is a bit like an Indian Red but has a gorgeous dusty rose undertone. The primateks are so interesting.

Daniel Smith Watercolours - Piemontite Genuine, Tiger's Eye Genuine, Burnt Tiger's Eye Genuine, Hematite Genuine,
German Green Raw Umber, Hematite Violet Genuine.

Transparent Red Oxide is one of my absolute favourite watercolours - the perfect colour for rust, which I love to paint, or as an alternative for Burnt Sienna. Though I tend to have both. Permanent Brown is also an interesting non-granulating red-brown.

Daniel Smith Watercolours - Mummy Bauxite, Permanent Brown, Raw Umber Violet, Transparent Brown Oxide,
Transparent Red Oxide, Environmentally Friendly Red Iron Oxide.

Burnt Sienna as a palette staple and I love this version - PBr7 rather than the common PR101 burnt orange version. Burnt Umber is a lovely classic watercolour - a rich warm brown. I love the granulation of the Enviro-friendly watercolours. The EF Brown Iron Oxide is excellent as a really granulating burnt umber option.

Daniel Smith Watercolours - Fired Gold Ochre, Burnt Sienna Light (new 2017, originally a limited release as part of the Alvaro set but now readily available), English Red Ochre, Burnt Umber, Environmentally Friendly Brown Iron Oxide.

Raw Umber is a colour I use a lot as a cool dark brown, and I usually include it in a palette of 12 or more as it is not an easy cool dark brown to mix on the fly.

Daniel Smith Watercolours - Raw Umber, Sepia, Sickerite Genuine, Van Dyck Brown, Bloodstone Genuine, Lunar Violet.

And now for some darks. I don't tend to use black in watercolours but the Graphite Gray is like working with liquid pencil - lovely! I make my own Jane's Black and Jane's Grey (added to the range in 2019 - see below) for my darks.

Daniel Smith Watercolours - Neutral Tint, Payne's Blue Gray (new 2017), Graphite Grey, Payne's Grey, Lamp Black,
Black Tourmaline Genuine.

I thought Yavapai Genuine might have been discontinued as it was missing from the previous colour chart but it's on the new one and here it is - out of order! Lunar Black makes me break all my not-using-black rules, (it's an extra colour I have fun with), just as Buff titanium puts a white pigment in my palette :-) Titanium white is whiter and more opaque than Chinese White I think.
Daniel Smith Watercolours - Yavapai Genuine, Ivory Black, Lunar Black (sorry - miss-spelt), Chinese White, Titanium White.

Update March 2019.

Eight new colours have just been added to the DS range - another Primatek, six Signature mixes and a new single pigment grey. I've written more about them here. Though of course I am particularly delighted with my signature series colour Jane's Grey :-)

Daniel Smith Watercolours - Jane's Grey, Red Jasper Genuine (Primatek), Gray Titanium.

Daniel Smith Watercolours - Alvaro's Fresco Grey, Alvaro's Caliente Grey.

Daniel Smith Watercolours - Joseph Z's Neutral Grey, Joseph Z's Cool Grey, Joseph Z's Warm Grey.

I'll finish with a few that have been discontinued some time ago but I'll show them anyway as it's rather nice to know what they looked like...
Daniel Smith Watercolours - Cote d'Azur Violet (discontinued), Bohemian Green Earth (Discontinued), Vivianite Blue Ochre (discontinued), Hot Mulled Cider (limited seasonal release)

As always, if you notice any errors, do let me know.
Happy painting :-)

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  1. They just discontinued Malachite too so if you like it you might want to stock up. I wasn't that impressed with it but found I used it in a river picture I did that very same week.

    I found it online but if you hurry you might still find it in stores.

    1. Yes I had noted that in the captions, but since it is recently discontinued, along with Rose Madder Genuine and Azurite Genuine, I've included it in with the rest of the range since tubes will still be available for a while for those who want them. Note that Azurite and Malachite can crystalise at the top of the tube - copper meeting aluminium, (to quote the CEO) but you just flick off the top granules and the rest of the paint is fine. They are not colours I thought were particularly useful but there may be some searching out the remaining tubes.

  2. Wonderful studies, so interesting to read your comments about the colors, and I love your little paintouts!!:)

  3. I found your blog several months ago. It has really helped me to understand the different pigments and their properties. I find that I am making much more conscious decisions when I am mixing colors. Thank you!

  4. A tour deforce and a dizzying number of colours.

  5. Thank you Jane, I always learn so much from you!

  6. Jane, Thank you so much for all the sharing you do. I have poured over your posts over and over in order to absorb your teaching. You pages are an invaluable resource, and so beautifully done.

  7. Thank you so much Jane, for these useful swatches! I love blue tones and wonderful to see so many wonderful turquoise hies in DS! Must get a few! :)

  8. Hi Jane, I have been saddened by the discontinuation of PY153. I have an ancient tube of Winsor Newton new gamboge, and so far I haven't been able to find a pigment or convenience mixture that matches it. I recently noticed that sennelier yellow light is indeed the single pigment PY153. It does have that similar glow (for lack of a better description-- I find that PY150 has it too--I think it's the nickel ?), but not the same hue.

    1. I heard it was happening and bought up on some of the DS New Gamboge so I have plenty in stock, but I also found a jar of the Schmincke dry pigment and bought that too. I generally mix a new gamboge hue using the hansa Yellow Medium and Quin Gold that I already have in my palette, but there are times that the gorgeous characteristics of PY153 are called for....

  9. Jane, what are your thoughts on Perylene Red? The Daniel smith primary set has it, as its primary red. How does it compare with the pyrrol red?

    1. It is a lovely colour - cooler than pyrrol red i.e. leans less towards orange - a real fire engine red I think.

      A primary red needs to mix oranges and purples. I think this would make rather dull purples, but not as dull as with pyrrol red. I haven't really explored it though as I tend to use three reds in most palettes (an orange-red, a crimson red and a rose red) for full mixing possibilities.

      The only palettes I have set up to use with a single 'primary' red, I have chosen to use Quin Rose - it mixes lovely oranges and lovely purples and you can mix nice mid reds too.

      I'll have a play with it and see how it mixes purples...

  10. For what it's worth, I've been told via a phone call with Daniel Smith that Manganese Violet (not shown above) was also retired.

    1. Yes that was retired many years ago. I don't think I ever tried it! It was PV16 - usually that is a lovely granulating red-violet. I wonder if, like manganese blue, there are difficulties with the manufacturing of the pigment?

    2. Not sure! I recently purchased a handmade version on Etsy and have been pleased so far! I also have it from W&N, though it goes by "Permanent Mauve" with them, and looks quite different from the DS one.

  11. Jane, I'm curious what you think of perylene maroon? It is highly rated on for it's mixing characteristics and usefulness in florals and landscapes. I noticed you favor colors such as transparent red oxide and indian red and would love to hear your thoughts. Thank you for all the wonderful information you share! Bill

    1. Perylene Maroon is a rich deep Crimson red, that varies somewhat between manufacturers. Yes it is a lightfast pigment, but with quite a strong drying shift. I choose to mix a Maroon hue when I want it, using pyrrol crimson and a little phthalo green - colours already in my palette.

  12. It looks like Daniel Smith has discontinued their 15ml Quinacridone Gold PO49. I can't find it anywhere on their website and when I search for it by pigment I only get Undersea Green which currently uses PO49 but who knows for now long?

    I've put in an order at Merriartist and it looks like there are still supplies out there. Amazon has quite a bit. If you do a search for it on the Daniel Smith website you only get Quinacridone Gold Deep which is a different formulation.

    I've been preparing for this. I've been stocking up. But I just bought more and will probably do so again before the supplies are gone. I use this color a lot especially when I'm mixing greens.

    1. I don't think they have run out yet - when it isn't on their website it usually means they are manufacturing. But I also keep 5 tubes in reserve...

    2. The last batch of DS genuine PO49 Quinacridone Gold was made in early September. The mixed hue is close - very close - to the original colour and mixes in a similar way. I'll do a blog post showing both shortly. I've stocked up on the PO49 simply because I prefer single pigment colours where possible. Hope you did too.

  13. Hi Jane, hope this doesn't sound silly but can you explain your colour swatches? I see the square of colour on the bottom is darker than the top square but I don't know why.

    Thank you.

    1. I don't think there is such a thing as a silly question ;-)
      I have explained the swatches here but basically the larger shape shows the pigment going from lighter to darker on dampened paper to show how it reacts with water. The smaller swatch shows the full strength of the pigment. It would have been really useful if had drawn a black line on every swatch first - as I do with the whites - to show the opacity, but I didn't when I started this project 5 years ago so I haven't changed the way I paint them.

  14. Permanent Violet isn't PR88 anymore- it's PR202 and PR29. Or at least the tube I bought in December was!

  15. What watercolor brands use honey besides sennelier and MG?

    1. Thank you very much for soon reply. I live in germany, daniel smith, Schminke, sennelier is more famous here and i can barely find MG or Holbein here in stores.

  16. Hi jane, nice to see u by help of google, ur site is really helpful thaaanks������
    I want to set up my own watercolor palette, with transparent n nongranulation colors. Also the colors that spreading not like white night its stay n not runjng to eachother. Could u plz helping me? Als a 24 color set for any brand which one do u recommend me to buy?
    Thanks in advance ������

    1. Have a look at the many palette ideas on my website - some with paintouts and some not, bot lots of great palette and colour selections. However I tend to use a mix of granulating and non-granulating colours, transparent and more opaque, as I like to explore all the characteristics of watercolour.

  17. Hi Jane, thank you for that amazing review of Daniel Smith watercolor. I really want to translate it and post it on my Vietnamese facebook page so that people can get to know about this wonderful brand. Can you please give me permission to do that? Thank you so much

    1. You have my permission to do that provided you acknowledge me and my blog. You might like to give me a link back to your Facebook page so I can add it for any Vietnamese readers to find :-)

  18. Hi Jane, first of all thanks for your lovely work.
    You seem to be a bit of an insider with DS and I just wonder if you know what the "ingredient" for Mayan Blue is. As a Primatek with the label "genuine" attached to it, I'm assuming it is a single pigment coming from a semi-precious stone? Could it be Blue-green jade? That was a sacred stone for the Maya symbolic of Quetzalcoatl - the feathered serpent god that joins the heavens with the earth - Would love to know. I really love the colour. I have checked its accuracy against some of the illustrations in the Mayan Dresden Codex and it really is spot on!
    All the best

    1. I think many of the Mayan colours are created by grinding up coloured glass. There is a little information here

  19. I use Daniel Smith watercolors almost exclusively, so this chart (and all your hard work that went into it) is so helpful and so very much appreciated! But I do use Qor every now and then, and the occasional winsor & newton from their professional line, so I was thrilled to find that you have done similar charts for those paints as well. Thank you so much for all your hard work and for sharing it with all of us - very, very much appreciated!

  20. Hi! Thank you for these great studies! I love Daniel Smith's Green Apatite Genuine. Does the Blue Apatite Genuine do the same theatrics? I like how the green has an almost neon green separate out as well as varying particle size and color granulation. I just wondered if the blue behaves in a similar manner.

    1. Blue Apatite Genuine also does lovely things on the paper, but not with the same bright undertone of Green Apatite Genuine.

  21. Hi Jane,

    I've noticed that Luna Blue (my absolute favorite for value study and many other things) looks completely black on your swatch when in reality it looks bluish, similar to Payne's Blue Grey.


    1. It may be that I painted it from a small sample, or perhaps the tube wasn't shaken properly.

  22. Thank you very much Jane, it helps me so much!

  23. Thank you very much Jane, it helps me a lot!

  24. Thank you for the awesome swatches Jane, I am similarly going through a long process of charting my watercolours, some of which I have in my window for lightfastness. I like the Daniel Smith colours and I have a few, but I stop at purchasing colours such as Lapis Lazuli Genuine and Smalt because they are very expensive, don't really pack much of a punch and are easily overpowered by other colours. I also really get the feeling that colours with the trendy sounding names are for the completists. Give me a good Cobalt Blue any day!

    1. One of the main reasons I have created all these swatches is to show each colour clearly to help others choose the colours they will use most, rather than ending up with a collection of less useful paints.
      I have ended up with a huge collection - many bought, some gifted, some as tubes or pans and some as dot samples - but I actually only use fewer than 30 paints. I do most of my work with fewer than 20, and I could manage pretty well with just 12 if I had to.

    2. Hello Jane, this blog has been a blessing from the beginning of my watercolor journey so thank you so very much for all that you do here, you’re simply amazing!

      Also if possible directly quoting your comment here; “ - but I actually only use fewer than 30 paints. I do most of my work with fewer than 20, and I could manage pretty well with just 12 if I had to.”

      Would you mind sharing these absolute 12 colors? I reside in Turkey and every good art supply is more expensive than gold here. I’d appreciate it if I could here your opinions on which colors one most have.

      Also what about the 20 and 30 set?

      Thank you as always. Best :)

  25. I'm relatively new to watercolor, I started with your basic palette but have been adding additional colors that you recommend. Currently I am setting up a new empty palette and notice you don't often have "lemon or light" yellows on your palette, are there circumstances where the cooler yellows would be necessary in addition to Hansa yellow medium? I almost exclusively paint landscape or flowers.

    1. I use Hansa Yellow Medium as it is a beautiful and lightfast pigment. It is also nearly transparent. The options for a lemon yellow tend to be more opaque or less lightfast. But the other reason I don't tend to use them is that I can create a lemon yellow hue by adding a tiny touch of Phthalo Green to Hansa Yellow Medium.
      If you prefer you could have a traditional cool yellow and add a touch of a warm yellow or a red to create a mid yellow, or add a cool yellow to the palette.

    2. Thank you so much, you sharing all of this information it is so helpful and much appreciated.

  26. Hi Jane,
    Like you I live in a very humid country (Mauritius) and I’m trying to upgrade to artist quality paints but there’s not much choice available here. I wonder if you might have some comments on brands. From my lengthy research I’ve rule out Sennelier & other honey based paints because of the humidity issue. I would like you use already made pans or pour my own - from everything i read Daniel Smith seems to be ideal but I’d heard that they shrink when drying and pop out of the pans, since I think you always pour pans and prefer Daniel smith, do you have any experience with that? And even if they do, is it not such a big deal? otherwise my options seem to be Schmincke, who have reviews which either love or loathe them, W&N who I hear are very expensive in the long run… I know brand preference is subjective but I’d love to hear your thoughts.

    1. Sorry about the delay - for some reason I can't comment on my own blog!
      I do recommend Daniel Smith, whether their premade half pans or tubes. If using tube colour, shake the tubes well before use and top up the palette or pan little by little, stirring each layer to spread it out. If a block of colour does fall out of the palette or the pan, just put a drop of glycerine in the paint well and a drop of distilled (or boiled) water and place the block of watercolour back. After a couple of minutes, press back into place.

  27. Hi Jane. I was wondering if you knew which of the Daniel Smith colours would be the closest match to Winsor Newton's Light Red.

    1. There isn't an exact match to that quite bright orange-earth colour. The closest colour in Daniel Smith is probably Pompeii Red, but that is more granulating and a little more earthy.

  28. G'day Jane- Daniel Smith changed their webpage so all your links to them are broken :( I'm not sure if their page is an improvement because their search tool doesn't work as well now I've got to rebuild my own links - yes they were a shopping list.

  29. How can Sepia be transparent if it contains PBk9??

  30. Hi there, Jane! I hope you're still replying to this website. It's so incredibly informative on DS colors, which is really all I use!
    So, I'm taking a class and one of the "added" or "convenience" palette colors listed is Yellow Ochre "PY 43" - a single pigment I don't currently have .... But Ahhh, yes, DS has many colors that are exactly, and ONLY, listed as using pigment PY 43, but are only almost the same shade/transparency as Yellow Ochre (e.g. French Ochre, Verona Gold Ochre [weirdly called "Yellow Ochre" on the side label, but NOT the same on paper], Burgundy Yellow Ochre, Geothite ... there are many! LOL).
    I know mixing is a literal science and I'm concerned (maybe too much) that if I don't use "Yellow Ochre" in name alone, what ever I mix will not be the color desired.
    Am I crazy or just obsessive ... or wait, isn't that the same thing?
    Sincerely Yours,
    Genuinely Confused