Wednesday, 31 May 2017

Rembrandt Watercolours

Rembrandt watercolours are the professional range made by Royal Talens of Holland. I had only tried about 15 of the 80 colours shown on the colour chart until I was generously lent a brand new set of 48 by one of my students. Consequently most of these 53 colours shown are painted out from pan colours.

I love the Rembrandt soft pastels, which I have used for many years, so it was good to paint a large number of the professional watercolours at once. The student range is called Van Gogh.

They painted out nicely and I think it's a very no-fuss range. Great colours, a good choice of pigments, excellent earth colours and plenty of single pigment colours. While my plan was to show the full range of all brands, even though I am missing 27 from this range I decided to post them up anyway since there is not much available showing the Rembrandt colours. 

(updated June 2017)

Rembrandt set of 48 half pans.

Rembrandt Watercolour - Chinese White, Transparent titanium White (not shown), Cadmium Yellow Lemon, Permanent Lemon Yellow (not shown), Cadmium Yellow Light.

Rembrandt Watercolour - Azo Yellow Light (not shown), Cadmium Yellow Medium (not shown), Azo Yellow Medium, Cadmium Yellow Deep, Azo Yellow Deep (not shown)

Rembrandt Watercolour - Aureoline, Indian Yellow (not shown), Gamboge, Naples Yellow Deep (not shown), Naples Yellow Red (not shown).

Rembrandt Watercolour - Cadmium Orange, Permanent Orange (not shown), Vermilion, Cadmium Red Light, Permanent Red Light (not shown).

Rembrandt Watercolour - Cadmium Red Medium, Permanent Red Medium (not shown), Cadmium Red Deep, Permanent Red Deep, Permanent Red Light (not shown).

Rembrandt Watercolour - Madder Lake Deep (not shown, but PR83 so not recommended), Alizarin Crimson (not shown but also PR83 so not recommended), Permanent Madder Lake, Carmine, Quinacridone Rose.

Rembrandt Watercolour - Permanent Red Violet, Permanent Madder Purple (not shown), Cobalt Violet, Mauve, Permanent Blue Violet.

Rembrandt Watercolour - Ultramarine Violet (not shown), French Ultramarine, Ultramarine Deep, Cobalt Blue (Ultramarine) (not shown), Cobalt blue.

Rembrandt Watercolour - Cerulean Blue, Cerulean Blue (Phthalo) (not shown), Phthalo Blue Red, Phthalo Blue Green, Prussian Blue.

Rembrandt Watercolour - Indanthrene Blue, Indigo (not shown), Turquoise Blue, Bluish Green (not shown), Permanent Yellow Green (not shown).
Rembrandt Watercolour - Permanent Green, Emerald Green, Cobalt Green (I think this is actually made from PG19 but my sample was mis-labelled), Viridian, Phthalo Green.

Rembrandt Watercolour - Hooker Green Deep, Hooker Green Light (not shown), Sap Green, Olive Green (not shown), Green Earth (not shown).

Rembrandt Watercolour - Chromium Oxide Green, Yellow Ochre, Gold Ochre (not shown), Transparent Oxide Yellow, Raw Sienna.

Rembrandt Watercolour - Burnt Sienna, Transparent Red Oxide, Permanent Madder Brown, Light Oxide Red, Venetian Red.

Rembrandt Watercolour - Indian Red, Burnt Umber, Raw Umber, Transparent Oxide Brown, Sepia.

Rembrandt Watercolour - Vandyck Brown, Payne's Grey, Neutral Tine, Ivory Black, Lamp Black (not shown).


If you happen to have some of the missing Rembrandt colours and would like to send me a sample, please get in touch :-)

Use the search button to find other ranges of professional watercolour.

4 comments:

  1. Very nice.

    The Raw Umber seems a little weak, like the Winsor and Newton pans.

    I think I've been spoiled by the Daniel Smith Raw Umber. Now I compare all other brands by that color.

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    1. Daniel Smith sets the standard for pretty much all the colours I use. Very few others make a raw umber with the same delicious cool depth. Perhaps only Da Vinci.

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  2. Hi Jane
    They have a limited range of Rembrant at a good price in my local art store. I'm considering getting some more of them, but I'm curious about which colors might be worth getting the DS instead. I don't really like Rembrandt Raw Umber, it's a little weak. But I do like their Prussian blue and cobalt blue. The burnt Sienna gets better if you add a little glycerine so it releases color easier. The Viridian is a little weak, and separates a lot in the tube, and dries really hard, but maybe that's the nature of all viridians?
    The quin rose looks a bit cold. Or is it the scan? How does it compare to the Daniel S version? I don't want it to go too close to magenta, otherwise there seems like no point having both..
    And what's your opinion about the two ultramarines? I can't really see any difference..
    How is the Phthalo Green? Looks nice.
    And how about the PR254, is it leaning cold or warm, or in the middle?

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  3. I am exploring the vintage transparent ixide brown....it had a yellow cast to it..

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