My intention is always to set up palettes so I can paint any subject - landscape, figures, florals, urban landscapes, seascapes - rather than specialist palettes. I make pigment choices based on what type of palette it is and what sized paintings it will be used for - small travel sketches or larger studio paintings.
If I am setting up a travel or plein air palette, I will tend to include Cerulean and Ultramarine for painting skies, for example, and may well include primatek colours that are fun for extra granulation. I may also tend to put more granulating earth colours to capture the landscape. My studio palettes only contain pigments I have tested to be lightfast and very predictable as I do most of my botanical paintings in my studio. Photos of a range of palettes can be seen on my website. Here are the paint-outs.
|Herring Compact half pan palette |
set up with 24 half pans of
Daniel Smith watercolour,
covering the thumb hole.
This is the Herring Compact palette from the UK. This can be set up in a number of different ways. This is my favourite configuration - 24 colours with a space for a travel brush. You can see other variations on my website here. It is plastic, so nice and light, but has excellent mixing wells.
The colours are Buff Titanium, Hansa Yellow Medium, Quinacridone Gold, Transparent Pyrrol Orange, Pyrrol Crimson, Quinacridone Rose, Ultramarine, Phthalo Blue RS, Cerulean Chromium, Cobalt Turquoise, Phthalo Green BS, Perylene Green, Undersea Green, Sap Green, Rich Green Gold, Goethite, Raw Sienna, Transparent Red Oxide, Burnt Sienna, Indian Red, Piemontite Genuine, Burnt Umber, Raw Umber, Jane's Grey.
This palette is wonderful for plein air as there are so many greens, interesting granulating earths and the Transparent Red Oxide and Piemontite are wonderful for painting rust.
24 colour paint-out of a wonderful plein air palette. #Daniel Smith watercolours painted in a handbook watercolour sketchbook A5 landscape.
|Mijello palette set up with 18 Daniel Smith watercolours|
The Mijello palette is a great design for larger brushes and I am using this for demonstrations when teaching. There are 18 paint wells so I have included less convenience mixes than the above palette.
Colours are Buff Titanium, hansa Yellow Medium, Pyrrol Scarlet, Pyrrol Crimson, Quinacridone Rose, Ultramarine, Cerulean Chromium, Phthalo Blue GS, Phthalo Green BS, Perylene Green, Yellow Ochre, Goethite, Raw Sienna, Burnt Sienna, Indian Red, Raw Umber, Jane's Grey. This is my Ultimate Mixing Set, along with yellow ochre, raw sienna and perylene green - a great range of single pigment colours.
|Mijello palette painted out on Stillman & Birn Alpha paper. 18 colour Daniel Smith watercolour palette.|
|Little lipstick palette set up with|
7 Daniel Smith watercolours.
Colours are Hansa Yellow Medium, Quinacridone Gold, Quinacridone Rose, Ultramarine, Perylene Green, Burnt Sienna and Jane's Grey.
The smallest palette I will actually use is 7 colours, though I love to come up with extremely versatile limited palettes. This is one of three 7-colour palettes I have. The others are a locket and a keyring :-)
|Paint-out and mixes of a versatile 7-colour palette of Daniel Smith watercolours, |
painted in a Stillman&Birn Alpha A4 Sketchbook
|Robertson style Paintbox with 20 colours.|
This is my studio palette - a lovely handmade brass palette based on the Robertson designs. The 20 colours are a wonderful range with some convenience greens and great dark blues and greens. These are my basic colours to paint with in my studio, though I have other extras for special purposes.
The colours are Buff titanium, Hansa Yellow Medium, Quinacridone Gold, Transparent Pyrrol Orange, Pyrrol Crimson, Quinacridone Rose, Ultramarine, Indanthrone Blue, Phthalo Blue RS, Cerulean Chromium, Phthalo Green BS, Perylene Green, Undersea Green, Sap Green, Goethite, Burnt Sienna, Indian Red, Burnt Umber, Raw Umber, Jane's Grey.
|My favourite 20 palette colours. Daniel Smith watercolour, painted in a Stillman & Birn Alpha sketchbook, A4.|
I carry this palette with me when sketching and use it in my studio. It is more convenient having the gouache ready to paint in the palette than squeezing it out freshly each time.When I use up the yellows I will probably replace them with cadmium pigments for greater opacity.
I paint a palette chart on the first page of each sketchbook. As gouache is an opaque medium I have painted this chart in the Strathmore toned tan sketchbook. It's not a perfect sketchbook for watercolour or gouache but I'll just paint on one side of the paper.
|My opaque palette - largely a gouache palette with a mix of Schmincke and M.Graham gouache, along with Buff Titanium and Indian Red DS watercolours. Painted in a Strathmore Toned Tan sketchbook, 5.5"x 8.5" portrait.|
This is my Little Lady, a tiny bespoke brass palette set up with my basic palette or 20 colours as painted out at the top. It has 4 extra colours on the right which I can change around. Currently it has Cobalt turquoise (great for copper domes), Serpentine Genuine (great for grassy areas), Green Apatite Genuine (lovely for foliage) and Lunar Black (an amazing granulating black) as the extra colours, though I sometimes put in Piemontite, Transparent Red Oxide and/or raw sienna if I am sketching more urban scenes.
This palette lives in my handbag, in a sketching kit. The waterbrush is an extra short one as seen in the very top photo - this is a really tiny treasure!
This is a little travel palette from Singapore, designed to hold 12 half pans but adapted to hold 14 of my Ultimate Mixing Set. It's just missing Indian Red, but you mix and Indian Red hue with the palette colours Pyrrol Scarlet and Phthalo Blue.
|Travel palette with 14 watercolours - |
from my ultimate mixing set.
|My Ultimate Mixing set of 13 Daniel Smith colours (plus Jane's Grey) in a travel palette.|
|Travel palette with all 15 of my |
Ultimate Mixing Set
Update - thanks to MagaMerlina (comment section) I have squashed the metal divider down (it is very well attached so will take some serious tools to remove completely) and squeezed all 15 of my Ultimate Mixing set into this little palette. I have used the slightly more square Schmincke half pans and sanded a little off the ones in each corner.
Indian Red added - I do love this colour not only to create a lovely earth triad with goethite and cerulean chromium, but also for its softness in portraits - lips, eyes and cheeks, if really watered down.
Now to get on with some painting!