Sunday, 22 November 2015

Daniel Smith 'try it' dot cards for watercolour

I have been cleaning up my studio, and I found a number of dot cards that I had filed away to play with some time. These are a terrific way to try new colours and I really appreciate the companies that make them. Daniel Smith were the first, and they make a fabulous series of four sheets with 238 of their colours to try. These have been invaluable for deciding which colours to buy in full tubes. Colour charts and websites are great, but nothing beats getting a brush to the paint yourself.

I have used up a few of these sets to create the watercolour swatches found on my website, to test colour mixes and just to play :-) but with this one I painted the colours out on the chart. It can be very helpful to compare the colours side by side like this.



Daniel Smith have also created dot cards of the Primateks, a number of individual artists' palettes and other sets over the years. I've painted them out and I thought I'd post a few here as it can be hard to track them down if you are interested in finding them.

Winsor & Newton created a dot card of a few limited edition colours and QoR created a few for their watercolour launch, which I wrote about here.


Tuesday, 17 November 2015

Brush Pens

I have had a Pentel brush pen for decades. They come with ink cartridges that are pretty much waterproof when dry and the tip lasts remarkably well. As I have been doing more and more sketching with pen rather than with pencil, I have been using a brush pen more often - as you can see in this sketch done at the Coal Loader in September. This has led me to want to try some others. There are loads of disposable brush pens available but I always prefer refillable pens where possible.



Parka did a comprehensive review of a number of disposable and refillable brush pens here with links to individual pen reviews. I am only looking at the refillable Pentel Pocket Brush Pen, the Kuretake No 13 Fountain Brush pen and the Kuretake No 40 and Platinum natural weasel hair brush pens. They are quite different in price and as always you get what you pay for, but the Pentel is a good entry level refillable brush pen.

The Pentel costs US$13.50 at Jetpens.com. It is also available from Kinokuniya in many cities. It is a synthetic hair tip, with a pretty fine point. You can also lay down some hefty broad strokes. That's what I used for the sketch above.

Kuretake No13 brush pen


The Kuretake No 13 Fountain Brush Pen is available in a black or red body for US$28 from Jetpens. It is a little more expensive than the Pentel and a little more 'classy' to look at. The brush nib is also finer so it creates a lovely delicate line.


The ink that comes with it is not waterproof. It can be fitted with a Platinum converter but I haven't yet explored other inks in this pen. Non-waterproof inks can be interesting to explore for special effects :-)







The Platinum natural weasel hair brush pen is available from Goulet pens for US$64. Since it is a Platinum pen, I have loaded it up with Platinum Carbon Ink in a cartridge and so far it is flowing very nicely.

It comes in a presentation box, and interestingly is fitted with a cartridge with a clear fluid in it when it arrives, I suppose so the hair doesn't dry out in storage.

Platinum Natural Weasel brush pen.


It's tip is exquisite. It is finer in diameter than the Pentel or Kuretake pens, and will make the most gorgeous delicate lines. It looks heavier than it is - it is 18gms, just a little more than a Lamy Joy pen, but the kuretake No 13 is only 11gms.

The only disconcerting aspect is that while the cap does close snugly, it doesn't 'click' or screw into place. It is available in black, blue or red marbled colours.










If you are interested in genuine hair brushes without quite such a hefty price tag, there are also Kuretake sable hair fountain brush pens available from Jetpens for US$36 for the No 40 and US$46 for the fancier looking No 50.

This is the #40 version and is 16gms. The tip is very similar to the Kuretake No 13 above and a little wider in diameter than the delicate Platinum. The cap posts firmly and closes with a satisfying 'click'. It has a dull finish with a nice feel in the hand.

Much as I love the fine Platinum brush tip, based on price, weight and closure, this is the natural weasel brush pen I would recommend, though I have not tried it with either the Platinum Carbon ink or De Atramentis ink. If anyone has, I would welcome your feedback :-) The ink that is supplied with it is not waterproof.
Kuretake No 40 natural weasel brush pen




























I haven't tested the De Atramentis inks that I like so much in any of these brush pens - I don't know if it might be too hard on the hairs. Hopefully the carbon ink will be fine. I intend to try a water-soluble brown or grey ink in the Kuretake pen once I use up the black ink cartridge that came with it.



Mission Gold watercolours

I have continued to test various brands of watercolours and add all the samples to my website here so you can compare them side by side.

Some of the latest I have tried are Mission Gold watercolours from Korea, which were launched a few years ago. They are made by Mijello, who have also created some very innovative palettes. Initially they had a number of fugitive pigments and have reformulated many of their colours. They now have a range of 105 colours, some of which are lovely, but you would have to pick and choose what you might try and read not only the colour name but also the pigment numbers as otherwise you'll get a number of surprises!

Take Burnt Sienna for example. This should be made from PBr7 - though often the transparent PR101 is used - and should be a neutral orange that is useful alone or mixed with Ultramarine to make a huge range of hues, including great greys and deep warm browns.

Mission Gold Burnt Sienna looks like a deep Quinacridone Gold hue - there's no way this would make greys with Ultramarine! It is made from PBr25, PR112 and PY150 - all perfectly good pigments but not burnt sienna PB7. Why? No idea. It's a lovely colour but it isn't Burnt Sienna.

On the other hand - Prussian Blue, also picture left, is exactly what you'd expect - a cool, slightly neutralised blue, made from PB27.




I scanned these in a fairly random order, but you can see Permanent Red (PR112), Permanent Yellow Deep (PY65), Prussian Green (PB27 + PG7), Crimson Lake (PR202), Cobalt Blue #2 (PB28) - this is Genuine cobalt blue, Cobalt Blue #1 (PB29 +PB15:3) - this is a hue that doesn't resemble cobalt blue in any way. Why? Once again, it's not helpful.

Then there are two versions of Ultramarine: Ultramarine Light which is a regular PB29, and a slightly warmer version with PV15 added called Ultramarine Deep. They are not different enough to need both though I prefered the single pigment version.




I've also tried the Lemon Yellow PY3, Vermilion PR112 + PO73, Permanent Magenta PR122 and these all painted out beautifully. The last of this set, Cerulean Blue PB15:3 is a standard phthalo blue and should be called Phthalo Blue - it's nothing like a Cerulean.


Permanent Red Deep is a gorgeous deep red - almost a crimson - that also painted out beautifully.

Looking at the colour chart, there are very few earth colours that are not a mixture of pigments. Once again I don't understand this. Earth pigments are wonderful and not expensive - why fiddle with them?

What I found interesting though is that these paints claim to have a small drying shift, and they do dry very bright. It makes me wonder exactly what binder is being used as there is normally quite a large drying shift in watercolours.

Update April 2016 - I now have samples of all the 105 colours so will update this blog here and my website soon.